New LSU Press Book Reconciles Hemingway’s Focus on Art with the Critic’s Focus on Cultural Studies
BATON ROUGE – In “The Hemingway Short Story: A Study in Craft for Writers and Readers,” released this month by LSU Press, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer.
Lamb scrutinizes a selection of Ernest Hemingway’s exemplary stories to illuminate the author’s methods of construction and to show how craft criticism complements and enhances cultural literary studies. “The Hemingway Short Story,” the highly anticipated sequel to Lamb’s critically acclaimed “Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story,” reconciles the creative writer’s focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers.
Beautifully written in clear and engaging prose, Lamb’s study presents close readings of representative Hemingway stories such as “Soldier’s Home,” “A Canary for One,” “God Rest You Merry, Gentlemen” and “Big Two-Hearted River.” Lamb’s examination of “Indian Camp,” for instance, explores not only its biographical contexts – showing how details, incidents and characters developed in the writer’s mind and notebook as he transmuted life into art – but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text.
Lamb received his doctorate in the History of American Civilization from Harvard University. He is author of “Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story” and coeditor of “A Companion to American Fiction, 1865–1914.” He was named the 2008 Indiana Professor of the Year by the Carnegie Foundation.