|
Necropsy: The Review of Horror Fiction Volume IX, Spring 2003
|
||||
| The Morgue The Necropsy Archives Scary Stuff, Eh? The Grossing Area Original Artwork by June Pulliam Original Artwork by Michael Ray Photo Gallery: Original Photos by June Pulliam and Tony Fonseca Coroner's Office June Pulliam, Managing Editor and Webmistress Tony Fonseca, Editor in Chief, Head Librarian and Keeper of the Necronomicon
|
Reyome Rants! Some Dark Goddess of Perversion: Review of Charlee Jacob's Haunter, by James David Reyome Invoking the Ghost of Gene Siskel: Necropsy at the Movies 25 Years Too Late: Review of 28 Days Later, by June Pulliam Even the Rats and the Mice (and the Socially Inept) Were Comrades: Review of Willard, by June Pulliam Identity Theft, or, Eleven Characters in Search of a Plot: A Review of Identity, by June Pulliam House Blend--and a Side of 1000 Corpses Too, Please, Review of House of 1000 Corpses, by Andy Morton Trapped in Cronenberg's Intricate Web: A Review of Spider, by June Pulliam Would you like to have your work reviewed by the Necropsy staff? If so,
examine our editorial policy.
|
Autopsies: Reviews in Depth All You Have to (Queer) Fear Is Queer Fear Itself: A Review by Anthony Rintala New Translation Captures Spirit, and Horror, of Original: A Review of J. K. Huysmans' La-Bas (2001 Edition), by Tony Fonseca Whip Me, Beat Me...Bite Me, PLEASE: A Review of Jemiah Jefferson's Wounds, by Andy Morton Maestro of the Birds & the Bees (and the Flowers and the Trees): A Review of Sephera Giron's The Birds and the Bees, by Andy Morton The Woods Are Lovely, Dark and Deep: A Review of Ramsey Campbell's The Darkest Part of the Woods, by S. T. Joshi And the Kings of Glens Came, and the Nymphs Who Rule Brooks...: A Review of T. M. Wright's The Laughing Man, by Tony Fonseca And Later Hurricanes May Claim More Pawn: A Review of Theresa Williams' The Secret of Hurricanes, by June Pulliam And You, Our Triffids, Please Do Go Gentle Into That Good Night: A Review of Simon Clark's The Night of the Triffids, by June Pulliam Pattern Clear But Spaced With Subtlety and Symbol: A Review of Tom Piccirilli's The Night Class, by Tony Fonseca
|
||