Reviewer Index

02/12/2008

A    B    C    D    E    F    G    H    I    J    K    L    M    N    O    P    Q    R    S    T    U    V    W    X    Y    Z   

Laurence Bush    Robert Butterfield    Danielle Conklin    David Faucheux    Stine Fletcher    Tony Fonseca    Chris Friend        Scott Gage    Mario Guslandi    Joseph Howe    S. T. Joshi    Kendra Kuss    Leah Larson    Rob Latham    Amy L. Montz    Andy T.  Morton    Iam Primm    June Pulliam    James David Reyome    Anthony Rintala    Robin Roberts    John Schultze    Jeff Smith    Steve Wise

B

Bush, Laurence

• An Eye for The Eye: A Review

• Godzilla and the Lucky Dragon–A Review of Gojira (Godzilla)

• Gory But Not Good: A Review of Victor Heck's A Darkness Inbred

• Horror: Rising From the East: A Review of Koji Suzuki's Ring

• More Skill, Less Kill: A Review of For the Love of the Kill, by Chau Van Truong

• Seeing Red: A Review of Hino Hideshi's The Red Snake

• Tangents and Angles: A Review of The Children of Cthulhu

• We Interrupt This Anglocentric World: A Review of Claude Seignolle's The Nightcharmer and Other Tales

Butterfield, Robert

• Death Takes a Ferret in Go-Go Boots, or This Is One Apprentice Donald Trump Would Think Twice Before Firing–A Review of Christopher Moore's A Dirty Job

• Don’t Worry, Those Little Club Wielding Dolls Can’t Hurt You…–a Review of D. P. Watts' Pieces for Puppets and Other Cadavers

• Dreams of Darkness–A Review of Aegria Somnia, Jason Sizemore and Gil Ainsworth, editors

• Lick My Books, Slave–A Review of Kimberly Warner-Cohen's Sex, Blood and Rock 'n' Roll

• Longing for a Nice, Warm Coffin–a Review of 30 Days of Night

• A Matter of Taste–A Review of Jack Ketchum's  Off Season

• Missing the Mark: T. L. Gardner's Demon Hunter: A Review

• More Than a Chick Flick with Bats: The Descent Reminds Us that Horror Can Be Scary–A Review of Neil Marshall's The Descent

• Nightmares Can Come True―A Review  of Thomas Ligotti's The Nightmare Factory

• Nobody…Can Convince Me That This Anthology Totally Works–a Review of Kelly Gunter Atlas's Nobody

• Not Pulitzer Prize Material, But Sarrantonio Knows How to Entertain–A Review of Al Sarrantonio's Halloweenland

• The Real Deal–A Review of Jonathan Maberry's Ghost Road Blues

• Said the Spider to the Fly, "Watch Out for Renfield. He May Want Seconds"–A Review of Barbara Hambly's Renfield: Slave of Dracula

• Something Beyond Excess–A Review of Tim Waggoner's Pandora Drive

• That Damn Mist Lifted Yet?–A Review of Stephen King's The Mist and Frank Darabont's The Mist

• These Elves Are Uncommonly Bad―A Review of Rob Thurman's Nightlife

• Truth Is Still Stranger Than Fiction, No Matter How Absurdist―A Review of D. Harlan Wilson's Dr. Identity

• Two Dismembered Thumbs Up!–A Review of Darryl Jones' Horror: A Thematic History in Fiction and Film

• Two Sequels of Classic Horror Novels Evidence Varying Degrees of Success―A Review of Jack Ketchum's Offspring and Ray Garton's Night Life

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C

Conklin, Danielle

• As Thick as the Sands of the Sea―A Review of City Ghosts

• Be a Doll and Cut Out the Tongues of My Enemies―A Review of Dead Silence

• Congratulations, You're Going to Be a Mommy–A Review of  Terese Pampellonne's The Unwelcome Child

• A Day in the Life of a Rookie Vampire–A Review of Lucius Shepherd's The Golden

• Hey, Don't Go Down There! Beware the Beast House―A Review of Richard Laymon's The Cellar

• Hunka Hunka Burnin' Monster Love―A Review of Mary Janice Davidson's Dead and Loving It

• Monsters Abound: A Review of Mad Marv's Man Made Monsters

• A Relationship to Die For–A Review of William Gay's Twilight

• Replanting the Bad Seed–A Review of Sarah Pinborough's The Taken

• SHORTANDSWEET. AND SCARY.―A Review of Soren Narnia's Knifepoint Horror

• Simmons' The Terror is Guaranteed to Send Chills Up Your Spine–a Review of Dan Simmons's The Terror

• Something In the Air Tonight–A Review of Nate Kenyon's Bloodstone

• A Woman's Work Is Never Done–A Review of Richard Laymon's After Midnight

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F

Faucheux, David

• . . . And where his hand should have been, was a bloody hook . . ."–A Review of Bob Harper's Twisted Rhymes

• Can You Fear Me Now? A Review of Stephen King's Cell

• Unnameable, But in No Way Unlistenable–A Review of The Unnameable: Tales of Horror from the Pen of H. P. Lovecraft, Master of the Macabre Spoken-Word Audiobook CD with music. (Read by David Cade)

Fletcher, Stine

• Before You Die [Of Boredom With Recent Horror Movie Releases], You'll See The Ring: A Review of The Ring

• Dateline Region 1, March 10,2003: Terror in Your TV: Ringu and The Ring on DVD

• Do You Know What It Means to Miss Your Soul in New Orleans–A Review of Alan Parker's Film Angel Heart

• Fear and Horror in Region 1: DVD Movie Picks for Halloween 2002

• Gilbert and Sullivan on Blood: A Review of Dana Gioia's Nosferatu: An Opera Libretto and Dracul: An Eternal Love Story, A "Musical Novel" With Accompanying CD

• Ladies and Gentlemen –The Terrifying and Award-Winning Traveling Vampire Show!: A Review of Richard Laymon's The Traveling Vampire Show

• Leave the Bourgeois Vampire's Waltz and Join the Vampire Nation, Comrades!: A Review of Vampire Nation, Thomas M. Sipos and Vampire's Waltz, Thomas Staab

• Mothman Prophecies Worth Watching: A Review

• The New Lavender Menace: A Review of Two Gay/Lesbian Horror Anthologies–Bending the Landscape: Horror, Nicola Griffith and Stephen Pagel, editors and Queer Fear: Gay Horror Fiction, Michael Rowe, editor

• Queen is for Girls and Blade is for Boys: A Review of Queen of the Damned and Blade II

• Reader, Unbury Him With a Word–A Review of Elizabeth Kostava's The Historian

• Terror in Region 1: Everything Old Is New Again (Tracking Down Classics and Oldies of the Horror Genre on DVD)

• Unspeakable Horrors–on Audio CD–A Review of Three Terrifying Tales From The Pen of H. P. Lovecraft.  Read by David Cade

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Fonseca, Tony

• . . . And where his hand should have been, was a bloody hook . . ."–A Review of Bob Harper's Twisted Rhymes

• A +3 Shift in Reality: A Review of One Hour Photo

• The 1900 House Meets Hitchcock: A Review of The Village, M. Night Shyamalan

• And the Kings of Glens Came, and the Nymphs Who Rule Brooks...: A Review of T. M. Wright's The Laughing Man

• And Suddenly, Nothing Happened: A Review of David Searcy's Ordinary Horror

• Another Day, Another Hackneyed Alien Invasion–A Review of Simon Morden's Another War

• At That Gangly Stage: A Review of Possessions, James A. Moore

• Bee Mine–or It Was Always You–A Review of Bernard Rose's Candyman

• Be Careful, D'awlin, or You Might Get Yaself Stuck in the Nint Level a Hell–A Review of Swamp Witch Piquante and Scream Queen Bisque (Over a Bed of Rice), M. F. Korn

• Believe It Or Not, This Academic Study of Ripley Will Excite Fans–A Review of Alien Woman, Ximena Gallardo and C. Jason Smith

• Better the Devil You Know: A Review of The Hades Project

• Blade II a Bit Dull: A Review

• B Movies That Make The A List: A Review

• Brain Damage/Eclipse: Dark Side of the Mind–A Review of Tim Waggoner's Darkness Wakes

• Classic ²: A Review of Pal/Haskin's The War of the Worlds

• A Classic Revisited: A Review of H. G. Wells' The War of the Worlds

• A Complex Narrative About the Nature of Messiahs–A Review of Messiah Complex, Toby LeBlanc

• Creepy Foliage, Creepy Story: A Review of Shadows in Green, Richard E. Dansky

• Crossing Over (And Not Quite Making It)–A  Review of Mary Ann Mitchell's Cathedral of Vampires and China Miêville's The Scar

• The Cutest Ghouls in the World--A Review of Julie Kenner's California Demon

• The Dead Inn, Edited by Shane Ryan Staley

• Death's Just Wild About Harry–A Review of Houdini's Last Illusion, Steve Savile

• The Devil Made Me Eat It!: A Review of Paul Lonardo's The Apostate

• Don't Come Knocking On My Door; I Don't Want to See Your Fangs No More–A Review of Steve Zinger's Ray McMickle and the Kentucky Vampire Clan

• Dracula For Dummies: A Review of Clive Leatherdale's Bram Stoker's Dracula Unearthed

• D.W.P.: A Review of W. G. Griffiths' Driven

• Early Novel In Need of Finishing Touches–A Review of Thomas Tessier's Finishing Touches

• East Meets West: A Review of Lawrence C. Bush's Asian Horror Encyclopedia

• Edenic Apples and "Acid" Reflux–A Review of Eden, Ken Wisman

• Endless Tripe–A Review of Endless Night, Richard Laymon

• Escaping Purgatory, by Gary A. Braunbeck and Alan M. Clark

• Even Count Floyd Couldn't Find Scary Stuff Here: A Review of The Dark, Ellen Datlow

• Every Mad Dog Will Have Its Day–A Review of Joe R. Lansdale's Mad Dog Summer

• Everything You Always Wanted to Know About Horror, But Were Afraid to Ask: A Review of The Annotated Supernatural Horror in Literature, by H. P. Lovecraft

• Fiend Is No Friend to Originality: A Review of Jemiah Jefferson's Fiend

• Finally, a Vampire Novel That Didn't Have This Reviewer in Tears–A Review of William A. Veselik's Weep Not for the Vampire

• Foreshadowing the Suicide Machines of Futurama and the Racquel Welch in Animal Skins and Other Weird Stuff–A Review of The Yellow Sign and Other Stories: The Complete Weird Tales of Robert W. Chambers, Robert W. Chambers

• Gerard Houarner, The Beast That Was Max

• Ghosts (and Unfortunate Actors) in the (Hollywood) Machine: A Review of Steve Beck's Thir13en Ghosts

• Giving the Term Organ Grinder a New Meaning–A Review of Joseph Nassise's More Than Life Itself

• Gods and Monster Roaches: A Review of That's All Folks!, J. F. Gonzalez

• Going Down, Party Time. My Friends Are Gonna Be There Too–A Review of Michael Lamio's The Demonologist, by Tony Fonseca

• Goofy Green Glows–A Review of Thomas Tessier's Wicked Things

• Go Sabs Go–A Review of Steve Zinger's The Sab

• Got a Black Magic Woman: A Review of  Brandon Massey's Within the Shadows

• Graham Masterton, The Manitou

• Hair 'Em, But Don't Scare 'Em: A Review of Dark Water

• Hey, Didn’t I Read You Someplace Before, or Getting That Recycled Fruitcake For Halloween–A Review of Al Sarrantino's Horrorween

• A Hollow Effort–A Review of Mary SanGiovanni's The Hollower

• The Horrifying Truth? Some Horror Writers Have Talent

• The Horror? The Horror?–A Review of J. F. Gonzales' The Beloved

• Hostel Will Make You Hostile–A Review of Eli Roth's Hostel

• Hurricane Gideon: A Review of The Wind Caller, P. D. Cacek

• I Can Hang You in a Tree, I Can Sting You with a Bee. . .The Return of Samha¥n–A Review of  Hallows Eve, Al Sarrantonio

• If You Love His Craft, You'll Want This Collection–a Review of The Dreams in the Witch House and Other Weird Stories, H. P. Lovecraft, S. T. Joshi (editor)

• I'm Too Sexy for My Ethereal Existence: A Review of Earthbound, Richard Matheson

• It's No Mystery Why Radio Fans Love Grams: A Review of The I Love a Mystery Companion

• It's Not Nice to Piss Off Mother Nature: A Review of She Wakes, Jack Ketchum

• Jacob's Extreme Horror Fascinates: A Review of This Symbiotic Fascination

• John Shirley, Black Butterflies

• Johnny Be Bad, But Be Good at It―A Review of Johnny Ostentatious' Afterlife Battlefield

• And Ju$tice for All: A Review of Jack Ketchum's Red

• Kiss Me With Those Red Lips. A Little Lower This Time–A Review of Ray Garton's Live Girls

• Knight's Hour Come At Last–A Review of What Rough Beast, H. R. Knight,

• The Longest Single Note Strikes a Chord: A Review of The Longest Single Note, Peter Crowther

• Loveable But Laughable: A Review of the Asylum's War of the Worlds

• Lost in the Southern Gothic Fun House: Bloated Corpses, Talking Heads, and Goat Men: A Review of The Bottoms, Joe R. Lansdale and Tideland, Mitch Cullen

• Macabre Readings for Poelite Company―A Review of  David Cade's Three Tales of Horror by Edgar Allan Poe, 1809-1849

• Making Dr. Who's Monsters Look Sophisticated−A Review of Alain Silver and James Ursini's Roger Corman: Metaphysics on a Shoestring

• Making Global Warming Seem As Believable as An Invasion from Mars or An Attack of Flesh-Eating Zombies: A Review of The Day After Tomorrow

• Master of the Strange: AReview of Robert Aickman: The Collected Strange Stories

• The Meiks Shall Inherit the Earth: A Review of Frailty

• Monkeying With a Classic: Tim Burton's Planet of the Apes: A Review

• Mr. Molester–A Review of Gary A. Braunbeck's Prodigal Blues

• Nesting Realities: A Review of In Silent Graves, Gary A. Braunbeck

• New Translation Captures Spirit, and Horror, of Original: A Review of J. K. Huysmans' La-Bas (2001 Edition)

• Not Horror, but Nevertheless Horrifying–a Review of Yasuyuki Kasai 's Dragons of the Mangroves

• Oh, Grow Up!: A Review of James Moore's Rabid Growth

• Only the Shadow Coast Knows . . . –A Review of Phillip Haldeman's Shadow Coast

• "One's Early Works Gives One the Creeps": A Review of With a Friend Like Harry

• The Ordinary Made Extraordinary–A Review of Glen Hirshberg's American Morons

• Pattern Clear But Spaced With Subtlety and Symbol: A Review of Tom Piccirilli's The Night Class

• The Personal Made Way Too Public―A Review of Jeff Barnhart's Skin

• Playing with Dead Things–A Review of Michael Kimball's The Way the Family Got Away and May, a film by Lucky McKee

• Portrait of the Writer as a Young Man Responding to Editors and Critics–A Review of Arthur Machen's The Great God Pan and The Hill of Dreams

• Post Mortem: Brief Reviews by Tony Fonseca: Steven Lee Climer: Soul Temple; J. F. Gonzales and Mark Williams: Clickers; Brian A. Hopkins: The Licking Valley Coon Hunter's Club; Dan Sanders: Chelydra Serpentina: Terror in The Adirondacks; John Wooley and Ron Wolfe: Death's Door
• Psychics, Super-Sleuths, and Serial Killers: A Review of Kay Hooper's Touching Evil and Robert J. Randisi's Blood on the Arch
• The Really Good, the Somewhat Bad, and the Downright Ugly–A Review of Peter Crowther's PostScripts 10 and Robert Moorish's Thrillers Two
• The Report on the Future Is In: Where Are the Minorities?: A Review of The Minority Report
• A Retrospective: Richard Lortz's Novels Get a Well Deserved Second Chance

• Review of S. T. Joshi's Ramsey Campbell and Modern Horror Fiction

• A Reviewer Divided–A Review of Deborah LeBlanc's A House Divided

• Sing Violently: A Review of The Devil's Rejects

• A Singing Barber Does Not A Monster Make–A Review of Stephen Jones and Kim Newman's Horror: Another 100 Best Books

• Sometimes a Drill Isn't Just a Drill–A Review of The Toolbox Murders

• Somewhere Between What Brought You Here and How You’re Going to Be Mutilated: A Review of Brett McBean's The Last Motel

• Small Presses, Big Dreams: A Review of Three Novellas from Dark Tales Publishing

• Smoke Signals, by Octavio Ramos, Jr.

• Staring at a Train Wreck―A Review of Terry Gilliam's Tideland

• Stories Within Stories: A Review of Michael Bailey's Palindrome Hannah

• Style and Substance: A Review of Ernest T. Dickerson's Bones

• Submitted for Your Approval…–A Review of Mark Scott Zicree's The Twilight Zone Companion

• Taking it to The Streets–A Review of Mark Billingham's Lifeless

• Tales of Love and Death, by W. H. Pugmire

• Televampirism and the Masses: A Review of John Wooley's Awash in the Blood

• Things That Make You Say WTF?: The Best of the Weird, Part II (Books)

• Things That Make You Say WTF?: The Best of the Weird, Part I (Movies), by Tony Fonseca

• To Boldly Go Where So Many Have Gone Before–Yet Again: A Review of The Wyrm, Steven Laws

•  . . To Make a Short Story Too Long–a Review of Gary A. Braunbeck's Mr. Hands

• Toys in the (Mental) Attic: A Review of Toybox, Al Sarrantonio

• The Truth May Be Stranger, But Fiction Has Power: A Review of Jack Ketchum's The Girl Next Door

• (The Usually) Great Scott Produces a Mediocre Work: A Review of The Harvest, Scott Nicholson

• Violins Without Sex–A Review of Anne Rice's Violin

• War of the Budgets, or Why a Hack with Money Is Still a Hack: A Review of Stephen Spielberg's War of the Worlds

• Weeding Out Emotion to Cultivate Violence–A Review of Jack Ketchum's Weed Species

• What a Drag It Is Being Dead--A Review of Gary A. Braunbeck's Destinations Unknown

• When a Dropped Signal Means Dropping Dead–A Review of Cellular

• Wherever You Go, There You Are–Whether You Like It or Not–A Review of The Machinist

• Whispers From Beyond–T. M. Wright's The House on Orchid Street: A Review

• Whose Vault Is It?–A Review of A Vault of Horror: A Book of 80 Great British Horror Movies From 1956-1974, Keith Topping

• Witnessing the Birth of a Haunted House: A Review of Alejandro Amenabar's The Others

• The Wretched Refuse of Some Teeming Shore–A Review of Gary A. Braunbeck's The Keepers

• Writer See, Writer Do: Review of Andrew Harper's Red Angel

• Yawn....Barbie and Ken Save the Day: A Review of Hugh B. Cave's The Evil Returns

• Yawnbringer–A Review of Bryan Smith's Deathbringer

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Chris Friend

• Fantastically Savage? Savagely Fantastic? Either Way, It's a Classic–A Review of Fantastic Planet

• Girls Who Bite Girls–A Review of Harry Kumel's Daughters of Darkness

• They May All Be Dead, But This Movie Is Anything But All Messed Up–A Review of Jorge Grau's Let Sleeping Corpses Lie

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Gage, Scott

• Entertainment in Absurdity: A Review of Ronny Yu's Freddy v. Jason

• Fans of Extreme Horror, This One's For You: A Review of Red Scream

• Nothing to Fear: A Review of Andrew Douglas' The Amityville Horror

• Plot Contrivances Abound: AReview of Edward Lee's Monstrosity

• Read This Book! It Could Save Your Life: A Review of Max Brooks's The Zombie Survival Guide

• Terror Rises From Within: A Review of Glen Hirshberg's The Two Sams

• Cosmic Horrors Surround Us–A Review of Horrors Beyond: Tales of Terrifying Realiities, William Jones, editor

• Horror Clichés Revisited–A Review of Jeani Rector's After Dark: A Collection of Horror

• I Said Hey Baby, Take a Walk on the Darkside . . .–A Review of A Walk on the Darkside, John Pelan, editor

• Some Legends Don't Last Forever–A Review of Nightworlds, William F. Nolan

• A Suit with Too Many Pockets–A Review of George Zebrowski's Black Pockets and other Dark Thoughts

• The Vampire Soul Provides Some Shivers, But Ultimately Lacks Heart–A Review of The Vampire Soul, Villiers de l'Isle-Adam

• When the Undead Are Greedy for Money–A Review of Knightshade, Paul Féval, translated by Brian Stableford

• Who Knows What Evil Lurks in the Hearts of Anthology Editors?: A Review of Dark Lurkers, Paul Melniczek, editor

H

• Constantine a Provocative Interpretation of Today's World–A Review of Constantine

J

• An "Alternative Biography" of the Providence Scribe: A Review of The Lovecraft Chronicles, Peter Cannon

• Clark Ashton Smith Redivivus (Selected Letters of Clark Ashton Smith and Red World of Polaris: A Review

• A Colonial Ghost-Man: A Review of Andrew Caldecott's Not Exactly Ghosts

• Elegant and Imagistic: Dark Fantasy in Verse: A Review of Donald Sidney-Fryer's Songs and Sonnets Atlantean and Alan Gullette's Acts of Love

• Everybody Has a Story To Tell....Well Maybe: A Review of M. F. Korn's Confessions of a Ghoul and Other Stories

• Ghosts of the South: A Review of Sherry Austin's Mariah of the Spirits

• Hordes of Haunted Houses: Peter Haining's The Mammoth Book of Haunted House Stories

• Ligotti in Triplicate:  Review of My Work Is Not Done Yet: Three Tales of Corporate Horror

• Sending Employees to Their Horrifying Deaths, One Person at a Time: A Review of The Overnight, Ramsey Campbell

• New Campbell Collection Worthy of His Best Works: A Review

• Small, But Substantial: A Review of Gary William Crawford's Robert Aickman: An Introduction

• The Woods Are Lovely, Dark and Deep: Review of Ramsey Campbell's The Darkest Part of the Woods

• Sinfully Delightful Erotic Horror: A Review of Edo van Belkom's Six Inch Spikes

• Creepy Ivy, Horny Gods: A Review of Elizabeth Hand's Black Light

• Thomas M. Sipos's Halloween Candy A Mixed Bag of Treats and Tricks: A Review

• Virgins, Priests, and Aliens: A Review of Institut, by John Warmus

M

• Ask Not For Whom the Bell Tolls: A Review of Rose Earhart's Salem's Ghosts

• How Many Whores Does It Take to Screw in a Light Bulb?: A Review

• Into the Darkness: A Review of Caitlin R. Kiernan's Threshold: A Novel of Deep Time

• Monsters Without Motives:  Lost Girls and Boys: A Review of Children of the Night, Martin H. Greenberg (editor)

• Much Ado About Vampires: Goths, Zombies, Club Kids and Other Assorted Subcultures in Kyle Marffin's Gothique: A Review

• Poppy Z. Brite: A Retrospective

• Witch-Crazed: A Review of Rose Earhart's Dorcas Good: The Diary of a Salem Witch

Morton, Andy T.

• House Blend–and a Side of 1000 Corpses Too, Please, Review of House of 1000 Corpses

• How Many Whores Does It Take to Screw in a Light Bulb?: A Review of Brian A. Hopkins's 13 Horrors

• Maestro of the Birds & the Bees (and the Flowers and the Trees): A Review of Sephera Giron's The Birds and the Bees

• Men Without Hats, Who Really Danse Macabre: A Review of Stephen King's Non-Fiction Book on the "Entire Horror Phenomenon"

• Re-Possessed, or, Why I Could Never Eat Pea Soup: A Review of The Exorcist

• So This Is Gothic, Huh?: A Review of Gothika

• Sticks and Stones Can Break My Bones, But Bad Seeds Can Really Murder Me: A Review of The Bad Seed

• Whip Me, Beat Me...Bite Me, PLEASE: Review of Jemiah Jefferson's Wounds

P

• 25 Years Too Late: Review of 28 Days Later

• 56 Months Later―A Review of Juan Carlos Fresnadillo’s 28 Weeks Later, with a Bonus Riff on Danny Boyle’s 28 Days Later

• After 18 Years, Valley of Lights Is Still a Compelling and Original Novel–A Review of Stephen Gallagher's Valley of Lights

• Another Bump in the Road of Life–A Review of Dale Bailey and Jack Slay's Sleeping Policemen

• The Apocalypse Will Not Be Televised–A Review of David Secenal's Brainchild: A Collection of Artifacts

• The Artist of the Not-So-Beautiful : A Review of The Bone Parade, Mark Nykanen

• At Least There Wasn't an Anal Probe: A Review of Alien Abduction, Eric Forsberg, director

• Believable Magic: A Review of Tananarive Due's The Good House

• The Best (???) of Cemetery Dance, Volumes I & II: A Review

• Best Movies You've Probably Never Heard Of: A Review of Blood Moon and Bubba Ho-Tep

• Best Movies You've Probably Never Heard Of: A Review of David Jacobson's Dahmer

• Blade II a Bit Dull: A Review

• Blood Will Tell: A Review of Octavia Butler's Fledgling

• A Brief but Pleasant Encounter with the Undead―A Review of Del Stone, Jr.'s Black Tide

• But Seriously Folks: Scholarly Study of Horror Will Prove Useful–A Review of Planks of Reason: Essays on the Horror Film, revised edition, Barry Keith Grant and Christopher Sharrett, editors

• Characters Are Deserted in Desert Places–A Review of Desert Places, Blake Crouch

• Character Development? Not a Ghost of a Chance–a Review of Mary Ann Mitchell's The Witch

• The Children of Norman Bates–A Review of Jeff McQueen's Going to Pieces

• Clark's Tower Leans Towards the Mundane–A Review of Simon Clark's The Tower

• The Collection Worthy of Collecting: A Review of Bentley Little's The Collection

• A Corpse Is a Corpse, Of Course―A Review of T. K. Welsh's Resurrection Men

• The Dark Side of Romance–A Review of Collecting Candace, Susan L. Brooks

• Dawn of the Dead one Brain Dead Zombie Flick–A Review

• (Dead) Body of Knowledge: A Review of Christine Quigley's The Corpse: A History

• Dead, But Not Brain Dead--A Review of David Wellington's Monster Nation

• Don't Nap or You'll Miss This Sleeper Horror Flick–A Review of High Tension, Alexandre Aja, director.

• Don't Trust Anyone Over 30, Let Alone Anyone Over 19: A Review of Simon Clark's Blood Crazy

• Do Zombies Dream of Electric Sheep? A Review of Land of the Dead

• The Dragon's Tale Is Lost in the Translation: A Review of Brett Ratner's Red Dragon

• Escape From New York, If You Can–A Review of I Am Legend and Cloverfield

• Even the Rats and the Mice (and the Socially Inept) Were Comrades: Review of Willard

• Every Dog Has Its Day–A Review of Andrew Currie's Fido

• Eyes of a Child: Neil Gaiman's Coraline: A Review

• The Father of the Crypt Keeper Speaks: A Review of Martin Grams, Jr.'s Behind the Creaking Door

• Firelands Is a Fine Example of Queer Alternative Literature–A Review of Firelands, Michael Jensen

• Food. Gas. Lodging. Chainsaw Wielding Maniac. A Review of The Texas Chainsaw Massacre

• Four-Thousand and Two Maniacs–A Review of Herschell Gordon Lewis's 2000 Maniacs! (1964) and Tim Sullivan's 2001 Maniacs (2005)

• From Helen Gurley Brown to Helen Andelin–The Post-Feminist World of Frank Oz's The Stepford Wives–A Review

• Ghastlier Than Ghost Story–A Review of Rio Youeres' End Times

• Ghosts (and Unfortunate Actors) in the (Hollywood) Machine: A Review of Steve Beck's Thir13en Ghosts

• Going to the Dogs: A Review of Naked Brunch, Sparkle Hayter

• Grave Intent Has Much to Recommend It: A Review of Deborah LeBlanc's Grave Intent

• Halloween Has More Tricks Than Treats–a Review of Rob Zombie's Halloween

• Haunted House on the Prairie: A Review of Trespassing Time: Ghost Stories from the Prairie, Barbara J. Baldwin, et. al.

• Hell and Back Again–A Review of Hell Cop, David C. Burton

• The Hills Are Alive, With the Sound of Mutants: A Review of Alexandra Aja's The Hills Have Eyes

• Homage to New Orleans by Two Big Easy Novelists"–Poppy Z. Brite's Exquisite Corpse and Andrew Fox's Fat White Vampire Blues and Bride of the Fat White Vampire

• Hor-Story Lessons–a Review of Bentley Little's The Vanishing

• Hostel Will Make You Hostile–A Review of Eli Roth's Hostel

• I Have a Nightmare . . . A Review of Gloria Evan's Meh'Yam

• I Was a Teenage Vampire: A Review of M. T. Anderson's Thirsty

• I Was a Teenaged Zombie"–A Review of William Sleator's The Boy Who Couldn't Die

• Identity Theft, or, Eleven Characters in Search of a Plot: A Review of Identity

• If It Takes A Village to Raise a Child, It Also Takes a Village to Make a Monster: A Review of Patrick McCabe's Emerald Germs of Ireland

• In the Future, "Bite Me" Takes On a Totally Different Meaning–A Review of Soylent Green

• It Dwells in Sea Shells by the Sea Shore–A Review of Christopher Golden's The Shell Collector

• It's the End of the World As We Know It (and I Feel Bored)–A Review of Derek Gunn's Vampire Apocalypse

• Jack Ketchum, The Lost

• John Richard Stevens, ed., Into the Mummy's Tomb

• The Just Maybe? Definitely Not–A Review of James Scott's The Just Maybe . . . Stories (the First Book of Briar)

• And Later Hurricanes May Claim More Pawn: A Review of Theresa Williams' The Secret of Hurricanes

• LeBlanc's Novel is a Cure for Relief from Ordinary Horror: A Review of Family Inheritance, Deborah LeBlanc

• Less Is More: A Review of Jack Ketchum's Peaceable Kingdom

• Love Means Never Having to Say I'm Sorry . . . For Turning You Into a Vampire–A Review of Andrea Dean Van Scoyoc's Michael

• Loving You to Death–A Review of P. N. Elrod's My Big Fat Supernatural Wedding

• A Little Something for Everyone: A Review of Demonized, Christopher Fowler

• Mad . . . About Harry―A Review of Harry Potter and the Order of the Phoenix

• The Madwoman in the Dollhouse–A Review of Kathryn Reiss's Sweet Miss Honeywell's Revenge

• Make Room for Step-Daddy: A Review of Joseph Rubin's The Stepfather

• Making Global Warming Seem As Believable as An Invasion from Mars or An Attack of Flesh-Eating Zombies–A Review of The Day After Tomorrow

• Masterton's South Rises Again, But His Supernatual Civil War Falls Flat–A Review of The Devil in Gray, Graham Masterton

• Messenger Makes This Reviewer Go Postal: A Review of Messenger, Edward Lee

• Monstrosity by Degrees, or When Bad Things Happen to Good People, Who Then Become Bad People Who Hurt Good People: A Review of Monster, Patty Jenkins, director

• More Frightening Than Any Monster: A Review of Midnight Tableau, Michael McCrann

• More Homage to New Orleans in Three Films Featuring the Big Easy–The Skeleton Key, Cat People and J. D.'s Revenge

• Move Over Drac. Here Comes the Other Undead–A Review of David Wellington's Monster Island: A Zombie Novel

• Multiple Layers of Reality Exposed in The Jacket–A Review

• Night of the Dead Invites Audience Participation–A Review of Eric Forsberg's Night of the Dead (Leben Tod)

• No Deposit, No Return: A Review of Bentley Little's The Return

• Nosferatu for Knuckleheads: A Review of The Complete Idiot's Guide to Vampires

• Not Necessarily a Vacation from Ordinary Horror–A Review of The Resort, Bentley Little

• Not Windling Down at All: The Year's Best Still Lives Up to Its Name–A Review of The Year's Best Fantasy and Horror: Seventeenth Annual Collection, Ellen Datlow, Kelly Link and Gavin Grant, editors

• Not Your Typical Anthology of Genre Fiction–A Review of Death Comes Easy: The Gay Times Book of Murder Stories, Peter Burton, editor

• Novel About Individuality Fails to Stand Out–A Review of Simon Clark's This Rage of Echoes

• Ordinary Horror Makes for an Extraordinary Read―A Review of The Year's Best Fantasy and Horror, Twentieth Annual Collection, Ellen Datlow, Kelly Link and Gavin Grant, editors

• Paging Dr. Brite: A Review of The Devil You Know

• Pay No Attention to that Man Behind the Curtain―A Review of Brian Hodge's World of Hurt

• Play Me Those Fat White Vampire Blues: A Review

• Poison Pen Mail–A Review of Bentley Little's Dispatch

• Portrait of the Horror Tale As a Young Adult Story–a Review of Deborah Noyes's The Restless Dead: Ten Original Stories of the Supernatural

• Portrait of the Metaphysician as a Young Man: A Review of The Journal of Professor Abraham Van Helsing, Allen C. Kupfer

• Preaching to a Captive Audience: A Review of Paul Moorcraft's Anchoress of Shere and Melanie Tem's Slain in the Spirit

• Promises, Promises . . . Two Novels Have Potential, But Ultimately Disappoint–A Review of Expired, Evie Rhodes and Flesh Gothic, Edward Lee

• Psychopath Not Memorable Despite High Body Count: A Review of Alistair Langston's Aspects of a Psychopath

• Putting Feathers Up Your Butt: A Review of Kelley Armstrong's Haunted

• A Quiet and Disturbing Read: A Review of The Lovely Bones, by Alice Sebold

• Rage Against the Machine: A Review of Breathe: Everyone Has to do It, Christopher Fowler

• Recognizable, Perhaps Predictable--But Not Unreadable–A Review of Bentley Little's Death Instinct

• Remembrance of Things Past–A Review of Bentley Little's The Burning

• Resistance Is Futile! You Will Be Assimilated: A Review of Neighborhood Watch by Andrew Neiderman and The Association by Bentley Little

• The Resurrection of the Vampire–A Review of John Polidori, et. al, Lord Ruthven, the Vampire and The Return of Lord Ruthven, the Vampire, adapted in English by Frank J. Morecock

• Retrospective: Three New Novels by Phil Rickman

• Sea Sickness: A Review of Lee Thomas's Parish Damned

• A Serial Killer's Home Is His Castle–A Review of The Devil in the White City, Erik Larson

• Scary Movie 2 is Dead On Arrival: A Review

• Second Coming–A Review of The Living Blood

• Should Have Had a Familiar Ring to It–A Review of The Ring Two

• Sick of So-So Story Samplers–A Review of John Pelan's The Darker Side

• Simply the Best–A Review of The Year's Best Fantasy and Horror, Ellen Datlow and Terri Windling, editors

• Sometimes a Drill Isn't Just a Drill–A Review of The Toolbox Murders

• Sometimes You're Not In Good Hands–A Review of Bentley Little's The Policy

• Sorry Charlie, Only the Best Psychological Thrillers Get to Be Classics–A Review of Hide and Seek

• Sorry, I'm Not Myself Today–A Review of David Stahler, Jr.'s Doppelganger

• Sticks and Stones May Break My Bones, But Words Can Really Hurt Me–A Review of Dmitrv Radyshevsky 's The Mantra and Chuck Palahniuk's Lullaby

• Style and Substance–A Review of Ernest T. Dickerson's Bones

• Sweet Zombie Jesus! This Study of the Living Dead Won't Have You Using Any Names in Vain–A Review of Kim Paffenroth's Gospel of the Living Dead

• A Tasty Gumbo in The Big Easy–A Review of Bride of the Fat White Vampire, Andrew Fox

• Teen Angel–A Review of Veronica Bennett's Angelmonster

• Teen Screams–A Review of Gothic! Ten Original Dark Tales, Deborah Noyes, editor

• "That Old Black Magic"–A Review of The Skeleton Key

• They're Not Dead, But They're All Messed Up–A Review of Shaun of the Dead

• This Old House: House of Blood Is Nothing New–A Review of House of Blood, Bryan Smith

• Trapped in Cronenberg's Intricate Web–A Review of Spider

• Two By Graham Masterton, A Review

• Two Portraits of the Vampire as a Young Woman: A Review of Billie Sue Mosiman's Red Moon Rising  and Jemiah Jefferson's Voice of the Blood

• Vampiricia Pseudepigraphia–A Review of The Book of Renfield, Tim Lucas

• Victorian Decadence and Depravity–A Review of the Hughes Brothers' From Hell

• Visiting the Museum While Soaking in Calgon–A Review of The Museum of Horrors, Dennis Etchison, editor

• Vexed by Vikings–A Review of Paul Finch's Cape Wrath

• The Waltons Don't Live Here Anymore:–A Review of Elizabeth Massie's Shadow Dreams

• Waxing Nostalgic: House of Wax Is an Enjoyable Homage to the Genre–A Review

• We Are Not Alone–A Review of M. Night Shyamalan's Signs

• We Turn More Mortals By 9 A.M. Than Most People Turn All Day: Simon Clark's Undead Army of (Many More Than) One–A Review of Simon Clark's Vampyhrric

• What's That Smell?―A Review of Gacy: The Crawl Space

• When Horror Degenerates into (In)Action (Mis)Adventure, or Why I Want to Start a List of Filmmakers Who Should Owe Me Money–A Review of White Noise

• When a Mindful Society Deals with Mindless Zombies―A Review of Kim Paffenroth's Dying to Live

• When Supernatural Worlds Collide, or Sometimes a Big Bang Is Just a Lot of Noise--A Review of Kelley Armstrong's Broken

• When Trees Go Off Their Vegetarian Diets–A Review of John Wyndham's Day of the Triffids

• Who's Afraid of a Little Feminism–A Review of The Stepford Wives

• You Can't Keep a Good Crypt Keeper Down--A Review of The EC Archives Tales from the Crypt: Volume One

• And You, Our Triffids, Please Do Go Gentle Into That Good Night–A Review of Simon Clark's The Night of the Triffids

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• Hammer: The Greatest Show on Earth (Review of Vampire Circus)