Submissions
Prospective Authors
What We Publish
Submitting a Proposal
Revising One’s Dissertation
What
We Publish
LSU Press is one of the oldest and most prestigious academic publishers
in the South. In addition to scholarly monographs, we also publish general
interest books about Louisiana and the South.
Please note that our poetry lists are full through 2012 and we are not considering unsolicited manuscripts at this time.
Areas of interest include:
African American studies
American history
Atlantic World history and literature
Civil War studies
Cultural anthropology
Environmental studies
European history
Fiction (two titles a year)
Geography
Literary studies
Louisiana archaeology
Louisiana history and culture
Media studies
Poetry
Southern environmental history
Southern foodways
Southern music
U.S. South
Click here for a list of series.
Our Acquisitions Editors:
Rand Dotson • U.S. History & Southern Studies
Editor
Slavery, Civil War, Reconstruction, Nineteenth- & Twentieth-Century
South, Louisiana Roots Music
John Easterly • Executive Editor
Poetry, Fiction, Literary Studies
Margaret Hart
• Trade Editor
General Interest Books
Alisa Plant •
European/Atlantic World History, and Media Studies Editor
Joseph Powell
• Environmental Studies and Geography Editor
Send general inquiries or questions to M. K. Callaway at:
LSU Press
3990 West Lakeshore Drive
Baton Rouge, LA 70808
Please note that we have filled the available slots in our poetry program
for the next two years. We are reading poetry manuscripts at this time,
but we must be very selective.
Submitting
a Proposal
If you plan to write or have written a manuscript that fits our publication
list, please submit a proposal to us by mail. LSU Press does not
accept unsolicited submissions by email attachment.
Proposals for everything except fiction and poetry should include
a cover letter, working title, table of contents, sample chapters, information
about competitive titles, and a resume or curriculum vitae.
For general interest trade books, also give a descriptive summary of
the project, its aim, its intended audience, and suggested marketing methods;
and samples of proposed illustrations if applicable (photocopies are fine).
For photography books, please send sample prints or a disk with digital
images.
Fiction proposals should include a cover letter, a one-page summary of
the work, a brief sample from the work, and a current resume.
Please note that our poetry lists are full through 2012 and we are not considering unsolicited manuscripts at this time.
In short, give as much information as is useful to help us evaluate your
proposal, but do not send the entire manuscript at this stage. Enclose
a self-addressed stamped envelope if you would like your sample materials
returned to you. Please note that due to the high volume of submissions
we receive, it may take up to two months before we respond to your proposal.
If we wish to consider your proposal further, we will ask to see the
entire manuscript. Print it in standard manuscript form: 8 ½
x 11–inch paper, one-inch margins, printed on one side only,
all text doublespaced (including excerpts, footnotes, and bibliography).
If your manuscript has illustrations, include photocopies of representative
art but do not send original illustrations (photographs, negatives,
etc.). Be sure to keep a copy of your manuscript.
Initially the manuscript will be considered in-house. If we agree that
the work has potential for our list, we will notify you and send the manuscript
to outside anonymous readers for review. The review process normally takes
four to six months. All positively reviewed manuscripts must be approved
by the University Press Committee before we can proceed toward publication.
Revising
One’s Dissertation
LSU Press does not consider unrevised Ph.D. dissertations. Considerable
differences exist between a dissertation and a book, and even the best
dissertation will need to be revised before being accepted for publication.
Most commonly, scholars seeking to publish their revised dissertations
will need to do the following:
| • |
Eliminate or drastically reduce the “review
of scholarly literature” section. While a standard feature
of dissertations, such a review is superfluous in a book. You are
no longer writing for your committee in fulfillment of degree requirements;
you are writing as an authority on your chosen subject matter. Cite
to appropriate authorities in the notes, not the text. |
| • |
Pare down the notes, and eliminate discursive notes. Most dissertations
have roughly twice as many notes as necessary. Again, you are now
the authority. As such, exhaustive notation is overly defensive,
not proof of sound scholarship. |
| • |
Likewise, pare down and streamline your bibliography. |
| • |
Weed out “scaffolding.” Many dissertations are highly
structured: authors might begin each chapter with a statement of
what is going to be argued and conclude with a statement of what
has been argued, or they might divide each chapter into excessive
headings and subheadings. Recast your manuscript to improve its
narrative flow. |
| • |
Cut, cut, cut. At every possible turn, tighten your prose. Sharpen
your argument. Trust your readers to remember what has gone earlier
in the text. Repetition and wordiness only weaken a manuscript. |
| • |
Eliminate irrelevant detail. |
Prospective authors may find the following books helpful in the revision
process:
Derricourt, Robin. An Author’s Guide to Scholarly Publishing.
Princeton: Princeton
University Press, 1996.
Germano, William. From Dissertation to Book. Chicago: University
of Chicago Press,
2005.
———. Getting It Published: A Guide for Scholars
and Anyone Else Serious about
Serious Books. Chicago: University of Chicago
Press, 2001.
Harman, Eleanor, et al., eds. The Thesis and the Book: A Guide for
First-Time Academic
Authors, 2nd ed. Toronto: University of
Toronto Press, 2003.
Luey, Beth. Handbook for Academic Authors, 4th ed. New York:
Cambridge University
Press, 2002.
———, ed. Revising Your Dissertation: Advice from
Leading Editors. Berkeley:
University of California Press, 2004.
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